Things that came out of our little chat:
* I still don’t know the first album very well. The nameless songs drive my head in.
* Neither of us own any Heatmiser.
* My friend liked the rockers a fair bit more than I do.
* It took us a while to really appreciate Basement… for what it was without thinking of Elliott Smith’s passing.
* Ballad Of Big Nothing can be performed in standard tuning, in C.
Of course, the real best of will come out, and soon. Someone’s looking at the licensing I’m sure. There’s enough minor hits to jusitfy it – Waltz #2, Son of Sam and of course Miss Misery herself. Throw in a couple of the random covers that ended up on soundtracks, the odd Heatmiser track, and presto! And let’s face it, the world is not about to run out of skinny, angry, depressed 19 year olds. And god dammit, there’s worst things that are discounted to $20 come christmas. Truck this stuff out by the tonne. Get the kids away from their bloody Simple Plan and find some real pain. And even though I have all the tracks I’m sure I’ll be picking up a copy too.
Aside: I had a quick browse of Sweet Adeline to write the above ramble. Good to see it’s still going. I used to visit this site every day. I also came across a great site of Elliott b-sides on mp3.
SITE: Sweet Adeline
SITE: Elliott Smith B-Sides
MP3: Elliott Smith – Trouble
– From the soundtrack to the film Thumbsucker (Hollywood, 2005). This is a cover of a Cat Stevens song recorded during the Basement… sessions.
MP3: Elliott Smith – Ballad Of Big Nothing
– From the album Either/Or (Kill Rock Stars, 1997)
The Crustaceans are a Sydney pop band who have been around for a few years now. I’ve always liked them, but with so much coming out at the end of the calender year, their album I’m Happy If You’re Happy, on got a few plays before I moved on, probably back to the Magic Numbers album or something. Sorry guys.
I finally got around to giving this album some time yesterday and just fell in love. It’s almost alarmingly fun. It’s pop, it’s witty, it’s catchy and it’s clever. (Which is, of course, the worst thing about pop. It’s rash-like qualities. And sometimes it’s too smart arsey for it’s own good.)
But the Crustaceans manage to avoid that. There is some nice stuff going on along with the silliness. And at least it’s not po-faced songwriters with no humour. Telecaster, the first track, was a single, and I know it divided some people. It’s clever, but it’s also fun, a crazy fanatsy. Who else is writing songs like this? No one. That alone makes it special.
I’m just rambling here. But I really like this album. Their website seems to be down (redirecting to their label site?) and there are no upcoming gigs I can find. Oh well.
MP3: The Crustaceans – Telecaster
– From the album I’m Happy If You’re Happy (Popboomerang, 2005)
Go and cheat at solitaire
I don’t care
Lie to yourself
Til your blue
Til it’s true
I’m not going to pretend I know very much about this man. So I hope I don’t deeply offend any Cohen fans out there. I really haven’t given him the time he is due. Here’s what I do know:
* He looks a bit like Leonard Nimoy, and the first name thing confused me for a while as kid.
* He usually looks cool despite the point above.
* Like a billion other people, I love Jeff Buckely’s version of Hallelujah, and my first real exposure to Cohen. That’s one pretty song.
* I caught the clip for First We Take Manhattan on Rage once and it’s gorgeous and scary and a bit like Seventh Seal.
* Ween parodied the cover of his Greatest Hits
* He worked with Phil Spector
* I don’t think I’ve heard more good things about a single show in my life than Came So Far For Beauty, the tribute to Cohen that was put on by the Sydney Festival two years back.
* I’ve just been thinking about getting a nylon string acoustic guitar and someone recommended I revisit old Leonard.
So this morning I’m treated to news of this movie and the trailer. It features footage from the Came So Far For Beauty shows, with Beth Orton, Jarvis Cocker, Antony, and other performances by U2 and others. So maybe now it’s my chance with Leonard. I’m such a doco junkie.
I can’t really recommend a place to start with Cohen with much authority, but I love Suzanne and it’s a pretty important song for him so there you go.
MP3: Leonard Cohen – Suzanne
– From Greatest Hits (Columbia, 1975)
Let’s talk Robert Altman
Let’s talk David Bowie
Let’s talk The Original Series
But the best song on it, the one on CONSTANT (and I mean constant) repeat was Another Girl, Another Planet by the Only Ones. To this day, it is still the greatest song ever. If pressed by a stranger who seems to have a little bit of music knowledge about what my favourite song is, I would choose this (and Better Be Home Soon if it’s just at a dinner party or something). Look, it has the greatest guitars, great singing, great lyrics, sing-along bits, it’s short, sharp, funny, heart breaking, achingly romantic and even a little science fiction and lesbianism thrown in. To summarise: it rules.
The band was fronted by Peter Perrett – “the junkie Oscar Wilde” – who looked just like how I wanted a rock star to look. I hopeless romantic, a voice that screamed ‘I don’t care’. Before Another Girl, Another Planet, the band released a fantastic single on their own label called Lovers Of Today. But they were more than punk, as showcased on the first track of their debut album, the lovely ballad The Whole Of the Law. I loved AGAP the song, but The Whole Of the Law won me over with the band. Obviously, these guys went on to inspire bands like the Replacements, as opposed to the Living End. I will argue til I’m blue in the face that there is more to this band than one song.