In the age old argument of the Beatles vs the Stones, I am a Rolling Stones man. One of the reason this seems incredulous to people is when you look at the Stones today, they are a bit of a joke.
Hence the C90 test.
No Expectations: The Rolling Stones C90 (click on the link to play in Spotify)
Taking a cue from the old 45 minutes-a-side cassette, if you were to throw my favourite 90 minutes of Stones tracks onto a tape, and did the same for the Beatles, there would be no contest at all for me.
In this digital era, I can easily recreate a C90 for the Stones on Spotify. 10 tracks a side, under 45 minutes each. It’s not like the Beatles are digital anyway.
So many great tracks missing – Angie. Brown Sugar. Honky Tonk Women. Time Is On My Side. Play With Fire. Under My Thumb. I just couldn’t fit them in. The Stones would hold up in a C180 test. Heck, I could even live without (I Can’t Get No) Satisfaction.
I have also avoided later era gems like Beast Of Bourbon, Waiting On A Friend, Start Me Up etc. We kept it to pre 1973 – so we are still dealing in roughly the same number of years that the Beatles worked in.
What we do have is some of the biggest and best singles. The era defining, genre trashing, mind blowing highest achievements of the Stones canon. The yet to be beaten evil of Sympathy For the Devil. The far-better-than-Satisfaction riff of Jumping Jack Flash. The psychobabble intensity of Paint It Black. The mean streets soul Gimme Shelter. Is there are more beautiful song than Wild Horses? And You Can’t Always Get What You want has become part of our every day language.
I’ve mixed that in with some lesser known tracks. Not to be clever, but these are some of my favourite songs. In fact, Moonlight Mile is my favourite Stones song. The bittersweet Dead Flowers has been covered by every country artist worth a damn. She Smiled Sweetly is pop bliss.
The breadth of which that band travels is amazing – from 7 minutes soul, 2 minute blues punk and perfect love ballads and back. It’s a pity since 1974 they have been rewriting It’s Only Rock ‘n’ Roll (not included here) – both musically and in sentiment. They played the dumb rockers card and are still playing it. But there is so much more to the Rolling Stones
The tracklist (and tracknotes) for those without Spotify. And if you don’t have Spotify and you live in a country that has it, you’re an idiot.
1. Sympathy For the Devil
It could open with no other song. Their greatest achievement – their Day In the Life. But instead of peace and love, they rip it all up. The percussion track is fantastically devilish, Keith Richards is tearing it up on bass and Jagger is at his vocal and lyrical best. Best to avoid the strange Jean Luc Goddard movie that captures the recording of this song.
Before it became a joke, the Stones mastered the blues rocker. With it’s frantic riff, it rocks the place.
3. Ruby Tuesday
It’s forgotten how great songwriters the Jaggers/Richards team were – and it was this song that first proved it for many.
4. No Expectations
One of their very, very best songs. The romance of things never returning, a beautiful country guitar – the Beatles could never get this direct and emotional.
5. Paint It Black
Whole books have been written about this song. Anti-war? Depression? Drugs? Who knows. But how many 1st year guitar players have learnt that riff?
Stones at their bluesy, sexy best. A ballad of sorts, it’s sweet and enveloping. One of many highlights they hid away on album tracks.
7. Gimme Shelter
Thanks to Scorsese, this song just sounds like violence. And rightly so. I feel like ducking behind a car when the intro starts.
8. Rip This Joint
Exile is a great album, but hardly the place to start with the Stones. But this side of them, the bar-room honky tonk punk, is something they do better than anyone else.
9. Get Off Of My Cloud
A product of the times, but still a clear sign they were more dangerous than any of the other bands in the era, with their naff matching suits and dated old men producers.
10. Moonlight Mile
One of the best songs I’ve ever heard, full stop. As cinematic as Springsteen, as deep as Dylan but still Stones all the way. Ending with a string section climax that proves the Stones are far, far more than a good bar band.
1. Street Fighting Man
One of the greatest side two, track ones ever. If a knife fight in a phone booth was a song, it’d be this one.
2. Let’s Spend the Night Together
The Stones invent glam rock. That chunky, chunky guitars and urgency propelled it 6 years into the future for Bowie to take it to the net. An early song, it was when the stones really hit their stride.
3. She Smiled Sweetly
A lovely folk rock number, showing a tenderness not usually thought of as very Rolling Stones.
4. Love In Vain
An update of an old blues song, this is a showcase for the guitarists – Richards and Jones, just riffing like mad, as Jagger sings the blues as soulfully as a white man can.
5. 19th Nervous Breakdown
They spent the mid 60s being the brats of the UK “pop” scene. And put-down songs like this was what made the working kids love them. A shimmering riff as good as anything by the jangling 60s.
6. Jumpin’ Jack Flash
If you look up the word ‘riff’ in the dictionary, it would just be the tablature for this song.
7. Wild Horses
Used in a million movies and touched a million hearts, this is not just their best love song, but one of the best love songs ever. Without resorting to wussbag sentimentality or flowery sentiments either.
8. Live With Me
Manager Andrew Loog Oldham creating a media storm with the headline “Would You Let Your Daughter Date A Rolling Stone?”. It’s songs like this, playing up the careless, useless, rock n roller image that helped cement the fear – and excitement – in young girls.
9. Dead Flowers
For a song about death, it’s surprisingly upbeat and positive. Used in a million weddings, and played for a million musicians passing away. And yet another hidden away track.
10. You Can’t Always Get What You Want
Alright! The full blooded, seven and a half minute version. Rock ‘n’ roll gospel, a hymn for the hipster, a bit of warm relief in a cold. It’s been covered to death and the phrase is now clichéd. But the original version is still a knock out.