Where I dig into something I’ve not heard before, from the reviews section of old Mojo Magazines, on an irregular basis.
#002 – World Gone Wrong – Bob Dylan
In the often rattled out argument between the Beatles and the Stones, my go-to 60s legend is usually Bob Dylan. He released 400 albums in the 60s, the least of which means more to me than the entire Stones and Beatles catalogue combined.
Which is odd that I have never ever heard World Gone Wrong.
Truth be told, I’ve probably known about this album almost as long as any other. It was the first Dylan album to be released in a time when I was aware he was still going. I remember one especially hip girl listening to it in school (I thought she was talking about The Screaming Jets album World Gone Crazy).
I followed Dylan happily into the late 70s but I lose track after Slow Train Coming. I have various compilations that cover off the 80s and onwards. I have a couple of the records, and since the groundbreaking Time Out Of Mind I have bought every Dylan since. I also have hundreds of bootleg recordings and other things.
It’s odd that I’ve avoided this one. First, it’s old timey songs and I love old timey songs. Second, it’s reputation is still pretty good. But I was always tracking down another love bootleg from 67 and ignoring all his late 80s and early 90s.
MOJO deemed it worthy enough to give it the lead, double page album review in their second issue. Dylan, even before Time Out Of Mind, was a big deal in their world. And the album before this one – Good As I Been To You – is the same as this album – old folk songs of just Dylan and guitar. It got pretty good acclaim.
This album is good – very good. If you hate the voice then there is little for you here. But it’s just Bob and a guitar and it’s such a lovely sound. The song choice is full of gentle, dark songs. Lots of murder and crime afoot. Lots of broken hearts. It feels like those strange puzzle songs he would write (and cover) in the 60s and 70s.
The title track which opens the record deserves to be placed on those Very Best Of Bob Dylan Volume 4 or something. It’s as good and as direct as anything he’s ever done. He’s still rocking out the blues guitar on things like ‘Broke Down Engine’, but it’s the sweetness of ‘Love Henry’ or ‘Delia’ that really hit home..
It’s also a nice short 10 track record. Every Dylan album since this one is 20 minutes (and sometimes 40) too long. It’s my one big complaint about recent Dylan. Just make 40 minute records, dude. This is like another version of Nashville Skyline. A lovely collection of traditional tunes from a man who knows his traditional tunes.
It’s odd to think of Dylan if Time Out Of Mind had not happened. Would he be just making albums like this every few years? Filed under folk and sitting with Loudon Wainwright III albums or something? I don’t know if that would be such a bad thing.
Now, to get Good As I Been To You.